The Boredoms were formed in early 1986 in Osaka, Japan, by vocalist Yamatsuka Eye (who later went by Yamantaka Eye, then Yamataka Eye, and sometimes just eYe). Eye had been a member of the noise-rock band the Hanatarash, as had drummer Taketani; the rest of the original lineup featured guitarist Tabata Mara and bassist Hosoi. It quickly disintegrated; first, Taketani was let go in favor of Yoshikawa Toyohito, then Hosoi was replaced by Hira (sometimes Hilah), and finally Mara -- who quit to join Zeni Geva -- was replaced by Yamamoto Seiichi (aka Yama-Motor). Thus constituted, the Boredoms recorded their debut three-song EP, Anal by Anal, in 1986; their first full-length, Osozeran No Stooges Kyo ("The Stooges Craze in Osozeran"), followed in 1988, with both records later collected on Onanie Bomb Meets the Sex Pistols. Yoshimi Yokota (aka Yoshimi P-WE) became the band's new drummer and first female member in 1988; Yoshikawa switched to percussion and quit the following year, replaced first by Hasegawa Chu and then by ATR. Following Eye's work with John Zorn's avant-garde Naked City ensemble, the Boredoms' second album, Soul Discharge, was issued in the U.S. by Shimmy Disc in 1990; though some found them pointlessly abrasive, overall the record's crazed attack made them a hip name to drop in underground circles. The buzz surrounding the Boredoms culminated in major-label deals with Warner Japan and Reprise in the U.S., the first fruits of which were 1993's Pop Tatari, for which Yoshikawa returned as co-lead vocalist and synthesizer player. The follow-up Chocolate Synthesizer was released in the U.S. in 1995 (a year later than Japan), and the band supported it by playing a string of main stage dates on that year's Lollapalooza tour.
Lollapalooza marked the peak of the Boredoms' visibility in America, which began to cool down afterwards. Yoshikawa left again, and the band took some time to release a new LP, instead busying themselves with numerous side projects and issuing a series of EPs, dubbed Super Roots, that often appeared only in Japan. Reprise wound up dropping them, at which point the small Birdman label began to pick up some of their releases for domestic distribution. Fortified with a third drummer/percussionist in EDA, 1998 brought the EP Super Go!!!!! and the full-length Super Ae, which heralded the group's increasing psychedelic/Krautrock influence. The same year, the band recorded a split single with 77 -- the "performing" alias of their manager's infant son. 2000 saw the beginning of a series of remix albums titled Rebore; individual volumes featured U.N.K.L.E., Ken Ishii, DJ Krush, and Eye himself. Eye's increasing interest in electronica was reflected on the band's next official full-length album, the trippy Vision Creation Newsun, released in the U.S. on Birdman in 2001. Things were quiet for some time after the release of Vision Creation Newsun and rumors began circulating that the Boredoms had broken up. A smaller version of the group reconvened and played some shows as the Voordoms in 2003, giving further fire to the break up hearsay. In 2005, however, the Boredoms returned with the U.S. release of Seadrum/House of Sun.
CONFUSION IS NEXT - NEW RELEASE OUT! "THE GENERATION OF THIS ORDER" AVAILABLE FOR FREE UNDER CREATIVE COMMONS LICENSE ON TRASTIENDA NETLABEL - WWW.TRASTIENDA.ORG
"Confusion Is Next embody everything I look for in musicians; passionate, intelligent and talented; people who perform purely for the joy of performing; and this comes across in the music they produce, a return to the glory days of Alternative Rock [...] Great music should trigger a response from the listener and Confusion Is Next’s song writing possesses this quality" ~ Barry Rogers, LostChildren Netlabel / Loss Of A Child
"CIN have struck a balance between the raw, loud sound that dominated their first two releases and the melodic, dynamic sound that began to appear in "Lost in Dark Days" [...] In just a few years, CIN have matured into a confident band who seem to have a clear vision of exactly where they want to go." ~ Michael Gregoire, blocSonic.com
IN AUGUST "THE GENERATION OF THIS ORDER" WILL BE RELEASED ON AFMUSIC, IN A FREE VERSION AND IN A DIGITAL DELUXE VERSION WITH HI QUALITY AUDIO + A BONUS TRACKS + TWO HI QUALITY PDF BOOKLETS WITH STUDIO DIARIES AND EXCLUSIVE ARTWORKS! DON'T MISS IT!!
kickintheeye 014 kickintheeye.podomatic.com a monthly music podcast produced by John Kennedy & Ian Clark
Tracklisting 01. Nico - Eulogy To Lenny Bruce [Polydor] 02. David Van Ronk - He Was A Friend Of Mine [Fantasy] 03. Yeah Yeah Yeah's - Skeletons (Acoustic) [Polydor] 04. Woods - Rain On [Woodsist] 05. Marc & The Mambas - Terrapin [Some Bizzare] 06. Chris Knox - The Woman Inside Of Me [Flying Nun] 07. Elvis Costello - Big Boys [Demon] 08. Daniele Baldelli - Waka Kossa [Cosmic Sound] 09. Billy Bond - Tontos [Finders Keepers] 10. Arab Strap - Turbulence [Chemikal Underground] 11. Lene Lovich - Bird Song [Stiff] 12. Moebius & Plank - Conditionierer [Sky] 13. Family Fodder - Debbie Harry [Mute] 14. Deerhoof - Midnight Bicycle Mystery [ATP] 15. Liars - Everyday Is A Child With Teeth [Blast First] 16. Wooden Shjips - Contact [Mexican Summer] 17. Susie Ibarra - Fractal 1 [Tzadik] 18. Psychic TV - Terminus-Xtul [Tempus] 19. The Creatures - Killing Time [Polydor] 20. Bauhaus - King Volcano [Beggars Banquet] 21. 13th Chime - Cuts Of Love [Ellie Jay] 22. Love & Rockets - No Big Deal [Beggars Banquet] 23. Christian Death - After The Rain [Jungle] 24. Mission Of Burma - Progress [Taang!] 25. Liechtenstein - The End [Slumberland]
The slingers and I are currently in the planning stages of a fall euro tour for GR, fall euro tour for the slingers, and an early spring US slingers tour. Currently looking for other acts to join the tours; shoot me a message via the contacts below if interested. Mammoth Wave is also always looking for new artists to work with so get in touch if we can be of assistance.
best,
Shawn Glover Mammoth Wave Media 237 E. 11th Ave. Columbus, OH 43201 (419)-205-7377 shawnglover@gmail.com mammothwave@gmail.com twitter.com/MOTCA
"Another aspect of the psychedelic vision for me that has been very profound, is the sense that everything is alive or at that at least, there is no distinction between what we call living and non-living."
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